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  • ReleaseProduct
    Clay
    Artist
    Herbert,Momoko
    Label
    Strut
    Catalogue Number
    LC07306/STRUT502LP
    Release Date
    27 June 2025
    • Vinyl 1×LP

      Pre-order $25.00

      Standard Black Vinyl

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      LC07306/STRUT502LP

      Estimated release date: 27 June 2025

    • Vinyl Special Edition Vinyl

      Pre-order $24.99

      Signed Standard Black Vinyl - limited to 50

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      Estimated release date: 27 June 2025

    • CD CD Single

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      Compact Disc

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      Estimated release date: 27 June 2025

    • CD

      Pre-order $15.00

      Special Signed Compact Disc - limited to 50

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      Estimated release date: 27 June 2025

    • Download

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      320 kbps, LAME-encoded

      Available: 27 June 2025

    Matthew Herbert and drummer/ vocalist Momoko Gill announce the release of new album Clay via Strut in June 2025. A soulful, elastic collaboration, Clay treads nimbly between the dancefloor and the more introspective moods of the early hours, both reminiscent of Herbert’s iconic album Around The House while taking off in a compelling new direction. Agile and open-hearted, Clay is a thrilling, sonically adventurous record from two of the UK’s most forward-thinking artists.

    Digital Tracklist

    1. 1 Calm Water
    2. 2 Need To Run
    3. 3 Mowing
    4. 4 More And More
    5. 5 Heart
    6. 6 Animals
    7. 7 Fallen Again
    8. 8 Babystar
    9. 9 Show Me
    10. 10 Someone Like You
    11. 11 Circle Shore

STREAM SINGLE BABYSTAR / PRE-SAVE ALBUM

Prefaced by lead singles ‘Babystar’, ‘Need to Run’ and ‘Someone Like You’, Clay follows the 2024 release of debut collaboration ‘Fallen’ and Momoko Gill’s remix of Matthew Herbert’s ‘The Horse Is Here’. And yet, although Clay marks the first full-length release between Herbert and Gill, the duo’s shared passion for pushing sonic boundaries has played a crucial role in their respective careers to date.

Orbiting around Herbert’s fleet-footed productions and the ingenuity of Momoko Gill’s dexterous, melodic writing, Clay is at once stripped-back and rhythmically complex, drawing on a variety of found sources - from Japanese kotos to basketballs - to give the sound an unmistakably organic feel.

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